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2019: Destination moonlight.
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2019: Destination moon studios. 2019: destination moon imdb. 2019: Destination moonfruit. 2019: Destination moon man. 2019: Destination moon blog. 2019: Destination moon phase. 2019: Destination moons. Ad Astra: Ad Astra Ethan Gross by 20th Century Fox, under the direction of James Gray and the production of Brad Pitt, presents the science fiction space cinematographic work Ad Astra; it was released on September 20th of two thousand nineteen. The film is set in the distant future, and tells the story of space travelers trying to find intelligent life in the confines of the solar system; with incredible images of what can be found beyond our borders. Our solar system is being affected by a string of energy flashes that had never been experienced; this puts the different security and space research agencies on alert, resulting in a dangerous imbalance that could put the entire life of the planet at risk. The investigations show that these flashes could come from the same point where the crew of the “Lima Project” is believed to disappear, a SpaceCom mission commanded by astronaut H. Clifford MacBride; of which there is no information for more than fifteen years; This mission was to travel the confines of the solar system in search of intelligent life and establish a space camp on the planet Neptune. Back to the present, the US Air Force astronaut Major Roy MacBride is performing routine repairs on the outside of the hull of the international space station; at that moment it is reached by one of the flashes of energy, which is expelled directly to the mesosphere and goes free fall into the earth. Incredibly the astronaut MacBride manages to survive, however he is being held at the SpaceCom base for routine and safety checks; at that time a space mission is posed to the planet Mars commanded by General Pruitt; Major Roy MacBride learns that there is a small possibility that his father is alive in space. Pruitt, who was very close to H. Clifford, proposes the mission to the intrepid astronaut, to which Roy responds immediately; decision that will have an important weight in his family future, but it is something that does not seem to matter much. When it is time to leave, both officers take a commercial flight to the Moon, where a commission from the space army awaits them to take them to the SpaceCom launch base, which is at a farthest point in reference to the earth; as they move to the edge of the lunar rovers, they are attacked by space pirates, which seriously injure General Pruitt. Upon arriving at the SpaceCom base, Pruitt's severity leaves him in intensive care; Major MacBride takes command of the mission and aboard the ferry Cepheus; already in orbit receive a distress signal issued by a Norwegian biomedicine research station; the captain of the ship goes to the call despite the refusal of Major Roy. When they arrive they find the facilities totally empty, they get the bodies of the crew dismembered; when they are suddenly attacked by a genetically modified baboon; This almost kills the captain, but Roy with his indescribable calm manages to defend himself and even lock the creature in a capsule and then throw it into space and cause his death. Upon reaching the Martian orbit, the Cepheus is hit by a flash of energy that manages to break down some controls, including the autopilot; with the death of the captain and the second officer's panic, Roy takes command of the cabin and manages to land the ferry. Helen Lantos, director of SpaceCom facilities on the red planet, is waiting for you on the planet Mars; There he must begin the investigations of the whereabouts of the Lima project crew, Roy's first task will be to record a message for his father that later transmitted through the space waiting for answers. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) After splitting with the Joker, Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to shop a younger girl from an evil crime lord. Joker: Far from the great special effects to which we are usually accustomed to when we talk about the world of superheroes, as we have seen in MCU movies and even recent DC movies like ' Aquaman. Joker ' brings us an intimate and very different vision of one of the greatest villains of the cinema industry, and also one of the greatest in the comic culture. This is undoubtedly a risky bet that still had the arduous task of going through the very harsh filter of critics. And such a way it made it without any difficulty, it even has been praised by them, something that's honestly not very common in the industry. These days, one of the great cinematographic events of the year is celebrated in the emblematic city of Venice, in Italy. The Venice Film Festival of this 2019 has hosted all kinds of new films, some of them were big hits, some of them were not, and among the lot, of course, is the latest adaptation of the Joker character to the big screen, which has been highly anticipated from the very moment it's making was confirmed. As you know, the film premiered a few months, letting us see how Joaquin Phoenix, its protagonist, was transformed into the slightly freaky (about to be the biggest freak of all times) Arthur Fleck, a man dedicated to making others laugh and give entertainment, but there's something a bit off in Arthur's head, whose personality is already somehow disturbed, and leads him to end up obscuring completely after the difficulties he encounters in his life become way too much and make him crack entirely, until he becomes the iconic criminal we all know. But that is precisely what ' Joker' pursues from its beginning: show the world not the villain character that we have already seen in the comics and that makes Batman's impossible life, that quite dark man that's responsible for the most twisted and almost sadistic crimes of all times, but his transformation process until he reaches that dark point of no return, discovering that there's actually a human being behind the clown mask, and explaining what lead him to become what he is nowadays, as we know him. This vision so different and far from the style of superhero movies clashed at the beginning with many fans (and even Warner Bros. that apparently at the beginning was quite reluctant to the idea of making this film. However, the first critics of the film are showing that Todd Phillips, its director, has not only hit the center of the target: perhaps Joker becomes one of the most important installments of his career. This is at least assured by experts who have already seen the film in Venice, where everything is praise and applause right now. The movie had already gained very positive words such as «Artwork», «a before and after», «perhaps the world is not prepared for this» or «the Joker we deserve» and these are just some of the expressions that we have been able to collect from people who have already been able to enjoy the film, which highlights, of course, a Joaquin Phoenix in true state of grace-eye that already speaks of him as a candidate for the Oscars, judging by the words given by the critics. Just a few days ago ' Joker' premiered its final trailer. The preview lets us see new images of the film and especially more stellar Phoenix moments, in addition to the appearance of characters that did not appear in the first video. Another visual delight to open your face to its premiere, scheduled for October 4th. Ford v Ferrari: Movies like this are no longer made: it is possible that someone comes to mind that phrase Ford v. Ferrari, and he may be quite right. As if the film itself were aware of that anachronistic quality, of classic cinema made of close-ups of measured expressiveness and memorable secondary characters and universal topics wrapped in a story that is all peculiarity, everything in it is bathed in the light of another era as it was embodied in advertising images that are already mythical: that full sunlight of the American West in the sixties, the white smiles on the faces tanned by the sun, the happy people with their bottle of Coca Cola. Ford v. Ferrari is the new film by James Mangold, the director of the dissimilar Innocence Interrupted (1999) Walk the Line (2005) and Logan (2017) and tells, like all great movies, several things at once: first instead, the attempt of the Ford company to catch up with the tastes of a new generation, that of the baby boomers, who sought adventure, glamor and speed where their parents had sought solidity and reliability. Henry Ford II (Tracy Letts) needs to find a way to change the profile of his brand and move from the boring and predictable family cars to new models that compete in the desire of the buyers with those of Ferrari. Watch now the movie to see how he does. For that, Ford intends to build race cars that can beat the Ferrari team in Le Mans, and summons the former driver and owner of a small car factory Carroll Shelby (Matt Damon) who in turn claims to be let work with the best driver he knows, Ken Miles (Christian Bale. The mission is not as transcendent as the lunar expedition portrayed, among others, by The First Man on the Moon (2018) but Mangold gets it to be. First, because he takes his time to build his protagonists and the relationship between them, one of those great male friendships that start from mutual distrust and secret admiration. Carroll Shelby is a rough Texan, as much as Matt Damon can be, but he doesn't get his hands dirty, and Christian Bale is an independent and stubborn Briton accustomed to working alone in his Los Angeles auto shop, always in greasy overalls and a rag hanging from the pocket, a laborer who could spend his life buried in his workshop if it wasn't because he comes across someone who sees beyond, just the kind of guy who can negotiate with a company. Because a theme of weight in the film is just genius in the context of a business where to invoice and put the brand above individuals is what is imposed; In that sense, there is something heroic in the protagonists but also a permanent malaise that derives from the need to move in the narrow frame that Ford gives them, very intelligently propped up by two subalterns of the company rather mediocre and petty, watch it online to see how it ends. That is the point at which perhaps any spectator, beyond having ever been behind the wheel of a car, can empathize with the protagonists (and also, of course, the self-referential point of how to make good cinema within the industry) because it is about the question of survival of conquering certain freedoms in the context of a system that exceeds and crushes us, but also enables us. Ford v. Ferrari does not idealize neither the business world nor the manufacturing tradition of the United States, but these characters who can achieve something great in that context by working as a team, and it is a film so generous that every aspect - the family of Ken Miles, the wife that plays Caitriona Balfe, of Outlander, every scene of Ken Miles with the son on the tracks, the noise of the engines and the physical effort of mastering a machine that can also be a deadly weapon - it is an experience as endearing as a kind of live-action cars.
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